Misha Maruma

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Misha is the founder and editor of Chinese Contemporary Art Network. He has been writing about contemporary Chinese art since 2015.
Painting

Collective Anxieties

Dong Jingge's compositions inhabit the in-between state of tangible reality and fantastic possibilities.
Printing

Analogue and Digital

Wen Feiyi discards photographic precision to acquire a painterly softness in her work.
Chinese Ink

Interdependent Systems

Dong Xiaochi's mixed media works use scale and measurement as a central theme in his practice.
Painting

Indirect Conversations

Ziping Wang’s arresting paintings are punchy and overpowering yet subversive.
Photography

Personal Self Development

Yolanda Y. Liou is up to the challenge to constantly find ways to better herself.
Conceptualism

Studio of Basics

Geng Jianyi was in Hangzhou, the city where he first rose to prominence, when he died.
Mixed Media

Accumulation of Silence

The concept of pointless accumulation is central to Ye Hongxing’s art.
Chinese Ink

Mysterious Wonder

Zheng Zhiming travelled to Tibet every year and lived among the people during his visits.
Pop Art

An Imaginary Enemy

As a child, Yibai Liao grew up in a top-secret missile factory in the Chinese countryside.
Illustration

Hidden Meanings

A dazzle of beauty and many hidden meanings is how artist Zhao Na describes her paintings.
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Must-read

Painting

Collective Anxieties

Dong Jingge's compositions inhabit the in-between state of tangible reality and fantastic possibilities.
Printing

Analogue and Digital

Wen Feiyi discards photographic precision to acquire a painterly softness in her work.
Chinese Ink

Interdependent Systems

Dong Xiaochi's mixed media works use scale and measurement as a central theme in his practice.
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