Misha Maruma

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Misha is the founder and editor of Chinese Contemporary Art Network. He has been writing about contemporary Chinese art since 2015.

Oriental Impressionism

One’s artistic development is directly related to their life experiences believes Qiu Shengxian.

Four Seasons

“I think little in my brain but more relate to the colour,” Qu Fengguo tells me.

Unbounded Redux

You Si portrays mental comprehension through subtle mediation between shape, form and shade.

Journey into the Clouds

Psychedelic colours, absurd settings, lunar landscapes; paintings overflowing with imagination.

The Anatomy of Rage

A rising star, Lu Yang participated in the Chinese Pavilion at the 2015 Venice Biennale.

Art is a Message

Zhou Jinhua’s art fuses incompatible views of aerial photography and traditional Chinese painting.

Psychedelic Phobia

Zhou Fan has come a long way since his breakthrough series of floating jellyfish and mushrooms.

Retainers of Anarchy

Howie Tsui’s work often dives deep into the liminal and oscillating space of diasporic experience.

Rhythm of the City

Lu Xinjian’s works feature in pretty much every major collection of Chinese Contemporary art.

The World of Ren Zhitian

Ren Zhitian's varied artworks confirm he is very much the contemporary artist of today’s China.

Must-read

Collective Anxieties

Dong Jingge's compositions inhabit the in-between state of tangible reality and fantastic possibilities.

Analogue and Digital

Wen Feiyi discards photographic precision to acquire a painterly softness in her work.

Interdependent Systems

Dong Xiaochi's mixed media works use scale and measurement as a central theme in his practice.
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